Copycat_Revolver wrote:Oh boy, I've got a lot to say about this one. Expect a long-winded op in the near future.
This is bad news.
As for me, I liked it a lot for the first 2/3 thirds or so. Once again, you impress not with your concept, but your execution. Zooming has been done before, but having on screen come in before zooming inside just gives it a whole new perspective. And the profile is interesting. You match the song well, and I was even feeling the Eva scenes, until you MURDER HER. The song isn't even sad at that point dude! And then you pretty much end on the guy choking her, when she's
already been MURDERED. Now, I'm all for non-linear story, but when you murder a character, even if it's not explicit, you can't just bring her back without any connectors. Not to mention that again, such a depressing ending doesn't match the song's mood at all, and seems more to reflect yours.
The editing seemed to drop some polish in the last third as well, as you went for a lot of cheesy, drama-destroying sync (think the spikes synched to the drumroll. Ugh). The guitar-synching outer border also was completely pointless. The recent obsession I've noticed you getting with sync is not something I'd consider healthy, but hey, you know what you're doing, and you'll figure it out. Your flow is good enough that you don't need cheap tricks though
