so am i crazy ? am I totoaly missing the point of lossy codecs ? or will someone try my method of geting source footage. Hey, my latest vid looked fine (well, it had interlacing issue's, but now I've figured out how to fix them. thanx again AD
encoding source in lossless divx
- bum
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encoding source in lossless divx
Some time ago I was somewhere doing something which i cant remember because it was probably boring, and I had the idea of encoding source footage in divx, but in a lossy form. Now my use of the word lossy may be incorect because I dont realy know all the difference between lossy and lossless codecs. But I do know that with video in lossy each frame is drawn as a full frame while with lossless video codecs, only pixels that change colout from the last frame are put into the next frame. So what i mean by lossy divx is seting the max keyframe interval to 1, so effectively each frame is drawn in full. I was able to get the first vob of memories (26min44sec) down to 100MB. Sure for any sort of distribution it looked terrible, but its fine for editing if you bait and switch. And considering the ammount of space it takes up, it means alot more source footage can be stored, and pernamently.
so am i crazy ? am I totoaly missing the point of lossy codecs ? or will someone try my method of geting source footage. Hey, my latest vid looked fine (well, it had interlacing issue's, but now I've figured out how to fix them. thanx again AD
) .
so am i crazy ? am I totoaly missing the point of lossy codecs ? or will someone try my method of geting source footage. Hey, my latest vid looked fine (well, it had interlacing issue's, but now I've figured out how to fix them. thanx again AD
- bum
- 17747114553
- Joined: Sat Nov 08, 2003 9:56 pm
- Scintilla
- (for EXTREME)
- Joined: Mon Mar 31, 2003 8:47 pm
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- Location: New Jersey
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Re: encoding source in lossy divx
No, no, and more no.
"Lossless" means that what you get out is exactly pixel-for-pixel identical with what you put in, i.e., there's <i>no loss</i>, hence "loss-less". Examples: uncompressed RGB, ZIP, HuffYUV, Lagarith.
"Lossy" means that what you get out is <i>not</i> exactly the same as what you put in, i.e., there's a loss in quality. Examples: MPEG-1, MPEG-2, MPEG-4, DV, RLE, Cinepak, Indeo, etc.
It's as simple as that.
DivX does use temporal compression (only drawing the pixels that change from the last in all non-keyframes), like all major distro codecs, but lossiness is something different (as I explained above).
Well, sounds good, aside from the incorrect terminology.


"Lossless" means that what you get out is exactly pixel-for-pixel identical with what you put in, i.e., there's <i>no loss</i>, hence "loss-less". Examples: uncompressed RGB, ZIP, HuffYUV, Lagarith.
"Lossy" means that what you get out is <i>not</i> exactly the same as what you put in, i.e., there's a loss in quality. Examples: MPEG-1, MPEG-2, MPEG-4, DV, RLE, Cinepak, Indeo, etc.
It's as simple as that.
You're talking about temporal (or inter-frame) compression.bum wrote:Now my use of the word lossy may be incorect because I dont realy know all the difference between lossy and lossless codecs. But I do know that with video in lossy each frame is drawn as a full frame while with lossless video codecs, only pixels that change colout from the last frame are put into the next frame.
DivX does use temporal compression (only drawing the pixels that change from the last in all non-keyframes), like all major distro codecs, but lossiness is something different (as I explained above).
In other words, you made it so that every frame was a keyframe, so that only intra-frame (spatial) compression was used, thus (in all likelihood) getting around some of the problems of editing with distro codecs.bum wrote:So what i mean by lossy divx is seting the max keyframe interval to 1, so effectively each frame is drawn in full. I was able to get the first vob of memories (26min44sec) down to 100MB. Sure for any sort of distribution it looked terrible, but its fine for editing if you bait and switch. And considering the ammount of space it takes up, it means alot more source footage can be stored, and pernamently.
Well, sounds good, aside from the incorrect terminology.
Yes to both.bum wrote:so am i crazy ? am I totoaly missing the point of lossy codecs ?
It won't be me; I like my VOBs and scripts just fine.bum wrote:or will someone try my method of geting source footage.
- Scintilla
- (for EXTREME)
- Joined: Mon Mar 31, 2003 8:47 pm
- Status: Quo
- Location: New Jersey
- Contact:
ARGH.
/me embarks on half-dozenth double-post of the day
I should have mentioned, for further clarity:
It's theoretically possible for a lossless codec to use temporal (inter-frame) compression. I don't know if any actually do.
It's also possible (as you demonstrated) for a lossy codec NOT to use temporal compression. MJPEG and RLE are two other codecs that make every frame a keyframe and just perform spatial compression on each frame.
/me embarks on half-dozenth double-post of the day
I should have mentioned, for further clarity:
It's theoretically possible for a lossless codec to use temporal (inter-frame) compression. I don't know if any actually do.
It's also possible (as you demonstrated) for a lossy codec NOT to use temporal compression. MJPEG and RLE are two other codecs that make every frame a keyframe and just perform spatial compression on each frame.
- Sir_Lagsalot
- Joined: Mon Jun 23, 2003 6:42 pm


