kthulhu wrote:
The same reason you comment on US affairs, perhaps? .
Touche, I grant you that.
kthulhu wrote:
It's not the actual practice of the law, so much as the principle it was made in, that bothers me.
Ok, let's stay in the movies. Let's think back about Hayes code which was in effect at US. This did not sensor complete products, but interfered before the movie was even made:
http://vpue-webserver.stanford.edu/film ... sCode.html
These days (actually always) Hollywood films are very concerned about 'family values'. Nuclear family is sacred and nothing should threathen it without punishment and this attitude also reflects from the audience.
One of the examples is 'Fatal Attraction*' (1987) by Adrian Lyne. Original ending had Alex (Glenn Close) committing suicide while dressed in white, and Dan (Michael Douglas), being arrested for her murder. Dan's wife, while looking for the phone number of her husband's lawyer, finds a cassette tape recorded by Alex in which she states her intention to commit suicide. The wife runs out of the house with the tape (presumably going to the police) and the film ends with a flashback of Alex slashing her throat in the bathroom while listening to "Madama Butterfly".
Test audience hated this, so they changed the ending where Alex gets popped off.
Thus, even though there was the idea that Dan might be released, the nuclear family had been destabilised. The intruder (Alex) has to pay the price for this sin.
I could cite several other mainstream movies where people who don't fit into typical hollywood stereotype (Patriarcal middle class family) have to pay the price for their mistake. I urge you to observe recent hit films and find the segments where aforementioned stereotype is glorified.
There are movies where this does not apply, but I don't think you can deny that movie industry would not revolve around that 'ideal'.
I hope this demonstrated that film industry has quite an amount self-censorship and movie makers aren't just free to put anything they want to silver screen.
* Not to mention all movies inspired by it.