You kind of understood me very well, we’re actually agreeing on several points. We just disagree on their ramifications. heheI hope I have not misunderstood you, DriftRoot, and that I do not sound argumentative.
Argumentative is one thing, discussing a topic for the sake of discussing a topic is another. I’m doing the latter. I don‘t like to argue with people, it gives me the uncomfortable feeling that there‘s going to be a “winner“ and a “loser“ at some point and if that’s going to happen, I’d rather not say anything at all. I’m a Libra, we love harmony and balance and stuff…however, we also love to be overly analytical:
What do you mean it wouldn't go under "popular show?" A great Princess Tutu video can't have a great storyline? I would argue that it's those kinds of videos that stand out from the crowd when considering notable AMVs from specific series.pink haze wrote: Clearly, the Narrative category would not go under "popular show." That leaves "genre" and "style."
Discussion about what kinds of AMVs warrant their own categories has been ongoing for quite some time. You start making the case for too many things which can already be described by existing genres and things get really messy, really fast. Justifying a category because it's a "kind" or "sort" (two very short words) isn't good enough. Is a category for satirical videos appropriate? War-themed videos? AMV Hell videos? (Now there's one that's been suggested and that I personally would like to see implemented.) The general argument has been that if the proposed category can already be accommodated under one (or more) of the others, then there's no need for it. The recommended forum is a little different case - it splits some existing categories into further ones - but hopefully you see what I'm getting at.Webster defines "genre" as follows:
1: kind, sort
2: a category of artistic, musical, or literary composition characterized by a particular style, form, or content
The Narrative category of music videos is characterized by its recognizable storyline or plot (content or form).
You just sort of proved my point about not introducing a category which can inherently be argued over.Argument 2 was, I repeat, that the Narrative category is too subjective. Firstly, I will point out that some categories are subjective by nature, such as "sentimental."
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But this may be a moot point, for I have been attempting to define the Narrative video objectively from the beginning. In short, it is a video that was created to communicate to its audience a story, and that does so successfully (if the audience can't find a storyline, it wasn't a success).”
We all watch movies--we know a plot when we see it. Whether we do it objectively or subjectively doesn't really matter as long as most of us can tell at the end of the day. Besides, usually when people intend for there to be a story in their video, they include something about it in their comments. That makes it even easier.

Firstly, you can fail to move someone emotionally with your video and have agreement that it was intended to be a sentimental video. Same thing with horror - just because you weren’t scared doesn’t mean it wasn’t a horror video. Watched an effects video? Hard to argue about whether it has effects. But storyline? Just because YOU say it has a storyline doesn’t mean the next person thinks it does. Succeed or fail, a drama/action/romance/horror/etc. video can usually be identified as such. For instances where that can’t be determined, we have the “other” category.
Secondly, a narrative video (which certainly DO exist) is dependent upon the creator’s skill at bringing a story forward, not to mention the viewer’s ability to comprehend a storyline. To say a category for narrative videos should exist is to say that a category should exist which pre-supposes success. The other categories do NOT presuppose success to be valid as categories. You seem to agree with this.
According to what you quoted, the “sentimental” category exists because there are videos wouldn’t fit well into either the dramatic or romantic categories I’d like to see the narrative video that experiences a similar problem.From the Sentimental Videos thread in the Rec forum:amvs that contain sentimental themes - i.e. ones that are not quite dramatic and not quite romantic. These can be sympathetic or uplifting depending on the video.
Hopefully I’m not misunderstanding you, but that’s it exactly. Again, the definition of narrative success CAN be argued over. One person can recommend a video because they feel it has a great storyline and another person can watch it and see no storyline worth noting. “Storyline” runs the gamut from in-your-face, play-by-play types to those that have very subtle, but excellent, presentation. Which kind of "narrative" are you talking about saying is "narrative"? Is one not more valid than the other as a strong narrative? Is a subtle narrative inherently inferior to a knock-you-over-the-head-with-a-brick narrative? Would someone watch an AMV with a subtle narrative and completely fail to see any narrative at all? So many questions.This is a side note, so I'll stick it at the end:To the contrary, logically it should be nigh impossible to convincingly argue that a video is the best in its field if one cannot convincingly argue that it belongs in that field at all.Right now one can argue over whether a video deserves to be recommended as the best in its field, but it's much harder to argue over whether it deserves to be in the category it's placed in.
Also, the category definitions at the beginning of each section of the Rec Forum help people determine what category a video falls into, if the video is not already labeled by its creator or if it is not intuitively obvious. Deciding which video you think is the best and coming up with proof requires more thought and effort.
Compare this to a video which is chock full of lip synching - if it’s recommended as a lip-synched video then you know darn well it’s going to have lip synching. It’s going to be unmistakable. There is going to be NO question as to what that video is doing in that category. Yeah, it could be bad lip-synching, but it’s still recognizable as lip-synching and the burden of proof, as it were, falls on the individual to defend why they nominated it, NOT why it belongs in that category.
In any case, you posted a thread suggesting a "Narrative" category in the Recommended forum. Now we just have to wait to see what happens. Debating the matter until we're blue in the face isn't really going to do either of us much good, because it's out of our hands. It doesn't make a lot of difference to me, one way or another, I'd just be curious as to the rational behind it (one way or another). ^_^