ANTDrakko wrote:I agree with you Ash and I actually am starting to agree with Jbone on that subject too a little bit.
While a bit more blunt than I would have put it, jbone's point is not entirely off-base from my experience. Videos that are more 'popular', use more popular songs/shows, use flashier effects do have a tenancy to both make the contest with higher regularity and win more when the decision is left up to an audience. In part I believe this is why having both screenings that are more editor-centric (KoP, Chicago) as well as more public-centric (UMD) keeps the decision process for Otakon's contest balanced well. I'm not forgetting NYC- but I think it falls somewhere in the middle from my experience there last year
The contest
is ultimately for the attendees of the convention, so it's important to have videos that they will enjoy, so having the popular input of the UMD attendees (I realize there are editors who attend the UMD screenings as well, but it's my understanding they are in the minority) is important, while the screenings with more editors generally will be less swayed by popular shows and music and focus more on the technical and artistic merits of the videos. We also are more, let's face it, anal when it comes to the quality of the source and encoding, and realize that a video with considerable interlacing problems, macroblocking, or the likes will tend to look 10x worse on 2-story high screens than on the TVs we usually pre-screen on and score accordingly.
I am personally hoping that there are some changes between the initial list released and the final- like DW I am rather surprised neither of the Canadian Wonder Twins' (the Fremmerlid sisters) videos made the final cut, because they were not only extremely well edited and had beautiful source, they were also videos I would have expected to score well in an audience vote. I'm also surprised to not see Waka Laka in there- honestly it was the video I figured stood the best chance of winning Upbeat.