AbsoluteDestiny wrote:OK, trying to simplify it - you want to basically have your 3d at a fractional frame rate, right?
You could make your 3d at 2997 fps, keep every 50th frame and use each frame as a field to make it into pure interlaced 29.97fps footage
the Black Monarch wrote:I'd just export at 24 FPS... I dunno what this 23.976 bullshit is about...
trythil wrote:the Black Monarch wrote:I'd just export at 24 FPS... I dunno what this 23.976 bullshit is about...
Most of us don't have the luxury to work from film, and that extra .024fps really does make a difference stretched out over 5000 frames.
the Black Monarch wrote:trythil wrote:the Black Monarch wrote:I'd just export at 24 FPS... I dunno what this 23.976 bullshit is about...
Most of us don't have the luxury to work from film, and that extra .024fps really does make a difference stretched out over 5000 frames.
AssumeFPS(24)
Unless you're trying to export an entire episode or something.
I wrote:One condition -- I can't easily turn the DVDs into progressive footage pre-edit. (No AVISynth here.)
the Black Monarch wrote:Damn, I forgot that part.
I still just don't see why you insist on exporting at 23.976 FPS instead of an even 24. It's not that hard. Premiere automatically duplicates frames when you put 23.9 FPS footage into a 24 FPS timeline.
trythil wrote:the Black Monarch wrote:Premiere automatically duplicates frames when you put 23.9 FPS footage into a 24 FPS timeline.
Who said I used Premiere?
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