

Gaelstrom wrote:Just had to say, TsunamiX. I'm sad you didn't make the finals. I can understand why, but your video was exceptionally enjoyable ^^ Definitely the highlight of the Overflow I would say. I'm glad I noticed it in your sig. And I cannot believe I didn't catch what a brilliant ending that was at the conSo subtly perfect! I can honestly say that's probably the best multi-layered jab at Endless Eight I have ever seen. No other jabs at it can stand before that ^^ Thanks for your work!
chui101 wrote:Honou_Miko wrote:Hetalia, on the other hand... -_- Frontier Works haaaaaates it. My third strike for YouTube was a really dumb Hetalia video that wasn't even very well edited, used probably no more than 40 seconds of footage (repeated over and over for lip synch) over edited-down SNL audio. Tried to tell YT it wasn't the full work, was VERY clearly parody, but... nope. o_o
If it's clearly parody and they file a DMCA complaint, you should (after consulting with someone with some legal know-how) file a DMCA counter-notification. I did this for my Harry Potter/FMA trailer after Aniplex submitted a DMCA notice to Youtube. It was offline for a month but they eventually put it back up.
If they do decide that your counter-notification is worth pursuing, they can sue you, so be sure your counter-notification is solid. Have a friend who is in law school look at it or something.
xstylus wrote:Special mention:
Britannia, F-Yeah!
- Your motion track with the Bed, Bath, and Beyond towel was perfect. It's rare I see MT done well in an AMV. Did you use Mocha for that?
msanogi wrote:Thanks, my partner will be elated to know that you recognized that (that's all he could talk about for a while after we submitted the AMV XD) And no, we used After Effects, it took a lot of patience on his end
xstylus wrote:msanogi wrote:Thanks, my partner will be elated to know that you recognized that (that's all he could talk about for a while after we submitted the AMV XD) And no, we used After Effects, it took a lot of patience on his end
Just before Otakon I had spent two straight weeks assisting with some motion track work for a motion picture (my first movie cred!). You tend to develop an eye for good track work real quick.
You guys eyeballed it that smooth with straight AE? Patience my ass, that's masochism. Mocha would've probably have that shot done in 15 minutes (er... after you spend a week learning the program). A full version comes free with CS4 Master Suite. Takes some learning but it's amazing the kind of ridiculously difficult shots it can do a good motion track on.
xstylus wrote:msanogi wrote:Thanks, my partner will be elated to know that you recognized that (that's all he could talk about for a while after we submitted the AMV XD) And no, we used After Effects, it took a lot of patience on his end
Just before Otakon I had spent two straight weeks assisting with some motion track work for a motion picture (my first movie cred!). You tend to develop an eye for good track work real quick.
You guys eyeballed it that smooth with straight AE? Patience my ass, that's masochism. Mocha would've probably have that shot done in 15 minutes (er... after you spend a week learning the program). A full version comes free with CS4 Master Suite. Takes some learning but it's amazing the kind of ridiculously difficult shots it can do a good motion track on.
ZaCloud wrote:The rotoscoping was a nightmare in Friggin' Horse. So much moving throughout the whole video. Those mouths wanted to float around everywhere. @_@ It took me way longer to make the girls in the background keep their mouths shut, than it took to make all the dance moves.I ended up not allowing any tweening and just did it frame-by-frame with motion of .psd layers in Premiere.
msanogi, Is it any easier in AE (once one gets past the learning phase which I haven't even been able to)?


Users browsing this forum: No registered users and 5 guests