Think millionaire, but with cannons. || Resident Maaya Sakamoto fan.
Think millionaire, but with cannons. || Resident Maaya Sakamoto fan.
Think millionaire, but with cannons. || Resident Maaya Sakamoto fan.
Think millionaire, but with cannons. || Resident Maaya Sakamoto fan.Mister Hatt wrote:I have no idea how Premiere does it but I could ask around. Obviously it will have the same resampling problems as there is no way around that, but as far as RGB conversions go I would imagine that it picks a matrix either arbitrarily or based on vertical resolution and is consistant with that.
BasharOfTheAges wrote:How noticeable would these conversions be? Are we talking the visual equivalent of an audiophile claiming to be able to tell which kind of speaker wire you're using? Something that'd be less important than the temperature of your monitor (or even the lighting in the room) on color? Or something normal people would actually notice?
BasharOfTheAges wrote:How noticeable would these conversions be? Are we talking the visual equivalent of an audiophile claiming to be able to tell which kind of speaker wire you're using? Something that'd be less important than the temperature of your monitor (or even the lighting in the room) on color? Or something normal people would actually notice?
mirkosp wrote:It can get noticeable depending on how it's done. If it's done properly, it won't be an issue at all. If done wrong, it does get obvious. Done wrong aka using the wrong colourmatrix when doing the conversion, because greens and reds will get shifted in colour. Unfortunately I don't know how well NLEs handle the conversions...
Of course, if you haven't seen how the original colours were, chances are you might not notice anything wrong (unless different parts of a scene have been split and have had different effects applied in the editing, which might cause a colour flicker depending on what is done... somewhat of a limit situation, not exactly common).
Zarxrax wrote:Normal people can't even notice an incorrect aspect ratio, so I think this is not a problem
BasharOfTheAges wrote:Well, The question was framed in the parameters of within an NLE. Premiere or Vegas for example. I guess the greater question would be is this something noticeable when you spit your timeline out of premiere. Or, even more to the point, is it even something worth worrying about in the first place?
Would it stop you from suggesting people use the codec in Premiere or Vegas because of it?
Think millionaire, but with cannons. || Resident Maaya Sakamoto fan.I want to smack people who think that SD can't be widescreen.BasharOfTheAges wrote:Stop making me so depressed. I want to smack people watching SD broadcasts in 16:9.
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